Citation Thompson, Wendy. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. His superb engravings were much sought-after in the young Dutch Republic and further afield. Log in. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. Statuette of 2nd century AD, in Detroit Institute of Arts. Bronze statuette with silver-inlaid eyes of 4070 AD, This page was last edited on 14 March 2023, at 19:10. Goltzius, a virtuoso printmaker, studied the sculpture during a sojourn in Rome in 1591 and later strove to convey the experience of viewing the breathtaking statue in this engraving. Statue of the Roman hero formerly in the Baths of Caracalla, then owned by Paul III. (), 2018-2021 Regents of the University of Michigan |. 1592 (engraved) The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. Europe The monumental sculpture was unearthed in Rome in the 1540s, and quickly became one of the most famous and influential of all ancient sculptures. More information? Check here for current hours and more. In his engraving of a celebrated Roman sculpture Goltzius has included two observers. By 1590, Goltzius had achieved great success throughout Europe. It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. (42.1 x 30.4 cm) Type: Print; . [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. Hendrick Goltzius (15581617). In, The Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678), The Feast of the Gods at the Marriage of Cupid and Psyche, The Fall of Phaeton, from Ovid's "Metamorphoses", Northern Mannerism in the Early Sixteenth Century, Prague during the Rule of Rudolf II (15831612), Burgundian Netherlands: Court Life and Patronage, Dutch and Flemish Artists in Rome, 15001600, The Holy Roman Empire and the Habsburgs, 14001600, Mannerism: Bronzino (15031572) and his Contemporaries, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Paintings, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Works on Paper, Poets, Lovers, and Heroes in Italian Mythological Prints, The Printed Image in the West: History and Techniques. Farnese Hercules Hendrick Goltzius circa 1592 Museum Boijmans Van Beuningen Rotterdam, Netherlands Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. [1] Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. Department of Drawings and Prints, The Metropolitan Museum of Art. known: the Farnese Hercules , the Commodus Imperator and the Apollo Belvedere .6 Until the second half of this century Goltzius's stud-ies after the antique received little scholarly attention. 10, 11 hours ago - 70 works search The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. The sculpture has been reassembled and restored by degrees. The Johnson Museum holds more than 40,000 works in its collection from around the world. Students Hendrick Goltzius (15581617): Drawings, Prints and Paintings. Faculty and Instructors Andr Le Ntre placed a full-size gilded version against the skyline at the far end of the main vista at Vaux-le-Vicomte. At the Palace of Versailles is a copy by Jean Cornu (168486). 1592, dated 1617; Physical Dimensions: sheet: 16 9/16 x 11 15/16 in. One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. sheet: 16 9/16 x 11 15/16 in. Visit It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection and is now displayed in the Museo Archeologico Nazionale there. Planned Giving Remembering Acting Great, John Gielgud on His 119th Birthday. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Alessandro Farnese was well placed to form one of the greatest collections of classical sculpture that had been assembled since antiquity. Visit Twitter page In the late 1580s, Goltzius was at the height of his success and created some of the most spectacular pieces in the history of prints, most notably The Feast of the Gods at the Marriage of Cupid and Psyche (2000.113), The Great Hercules (46.140.28), and the series The Four Disgracers (53.601.338[3]). Help the Johnson Museum continue its legacy by making a gift today. The most astounding sheets are the so-called pen works, tour-de-force conflations of media in which Goltzius reproduced his own forceful swelling and tapering engraving lines in pen and ink, for example, Goltzius Right Hand (Teylers Museum, Haarlem), and in brush and oils in Sine Cerere et Baccho friget Venus (Without Ceres and Bacchus, Venus Would Freeze) (Philadelphia Museum of Art). Save the artwork in any of your exhibitions or create a new one. South America. To refer to this object please use the following persistent URL: Do you have a remark or extra information on this object? His superb engravings. He has just performed one of the last of The Twelve Labours, which is suggested by the apples of the Hesperides he holds behind his back. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. New York. Sign Up x 11 15/16 in .) close. This artwork is meant to be viewed from right to left. The National Gallery of Canada is home to one of the finest collections of Indigenous and Canadian art in the world, and is dedicated to amplifying voices through art. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos that provides the more common front view of the Hercules. Tot 1787 stond dit beeld in het Palazzo Farnese, vandaar de benaming Hercules Farnese. South America, On View Leaning on his knobby club which is draped with the pelt of the Nemean lion, he holds the apples of the Hesperides, but conceals them behind his back cradled in his right hand. Herbert F. Johnson Museum of Art Badly damaged late Hellenistic Parian marble. Our website uses cookies. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good.The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. Hercules Farnese, Hendrick Goltzius, 1617, engraving, h 419mm w 303mm A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration). Central Europe (including Germany), 14001600 A.D. Farnese Hercules (1592) by Hendrick Goltzius. (https://www.metmuseum.org/art/collection/search/343588). He moved to Haarlem in 1577 and established his own print publishing business there around 1578. Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. Download image Collections with this work Planning nora vester . It is a working database that includes information compiled over the life of the museum. Membership 1592, dated 1617 Medium: Engraving Dimensions: sheet: 16 9/16 x 11 15/16 in. 17.37.59. Wealthy collectors were able to afford any one of numerous bronze replicas, created in various sizes for table-top display. For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page (42.1 x 30.4 cm) Classification: Prints Credit Line: Gift of Henry Walters, 1917 Accession Number: 17.37.59 11079 Signup or Login Onder de voorstelling zes regels Latijn. Before photography, prints were the only way to put the image into many hands. The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. Hendrick Goltzius, or Hendrik, (German: [gltsis]; Dutch: [ltsis]; January or February 1558 - 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter.He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. Perhaps, as was suggested by the 18th-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver. More than once, the sculpture was crated and made ready for shipment to Paris before the Napoleonic regime fled Naples. (41 x 30 cm) Gift of Paul Ehrenfest, Class of 1932, and Elizabeth K. Ehrenfest 77.028.007 See Also This engraving of the giant Hercules Farnese (presently in the Naples Museum) is based on a statue Goltzius saw in Italy. Victoria and Albert Museum, London, 2022. A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of Cornell University in Ithaca, NY. Kids, Teachers Gift of Henry Walters, 1917, Accession Number: Headless statue at Izmit Archaeology and Ethnography Museum. "Drawings and Prints: Selections from the Permanent Collection," May 6July 28, 1996. The Farnese Hercules signed: G. ZOFFOLI. Please enter your email address. Hercules is depicted in a moment of rest. Upcoming Prints, Credit Line: While published . [10] Their use of white materials to re-create the sculpture has been interpreted by classicist Aimee Hinds as a perpetuation of colourism in classical art.[10]. [9], The statue has inspired artists such as Jeff Koons and Matthew Darbyshire to create their own versions in plaster and polystyrene, respectively. The young Rubens made quick sketches of the planes and massing of the statue of Hercules. Australia, New Guinea, and New Zealand Farnesian Hercules Hendrick Goltzius c. 1592 Kunsthalle Bremen Bremen, Germany Hendrick Goltzius, active in Haarlem, was reckoned to be among the foremost copper engravers in the Netherlands. Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. The artifice of Sprangers Mannerist figure style appears for instance in Apollo (51.501.3). A significant factor in his decision must have been the theoretical tenets espoused by Van Mander. In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. 114 Central Avenue Annual Fund More details, yesterday - 286 works Teachers Oops. Past, Students Asia and Pacific https://www.metmuseum.org/art/collection/search/343588. Seley created the sculpture in 1981 out of chrome automobile bumpers. Goltziuss engraving shows the victorious, virtuous hero of Greek mythology from behind so that we do not see the club in front of the rock, though we do espy the hide of the Nemean Lion and, in his right hand, the three apples of the Hesperides. As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Log In. 984 To license this image or for more information please contact our Licensing team. The WOW Report for Radio Andy! Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date: Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. Together with the Flemish artist Bartholomus Spranger and his Mannerist figure ideal,. He also created extraordinary colored chalk portraits of contemporary artists such as Pietro Francavilla (Rijksmuseum, Amsterdam). Museum Advisory Council. Provenance Research Search Our Collections Previous Piece Next Piece Click to enlarge image Back to collection Hendrik Goltzius Dutch, 1558-1617 The Farnese Hercules, ca. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. In Rome, he appears to have wanted to create a series of engravings of famous works of art like his Farnese Hercules (17.37.59), in particular classical statues, based on new and reliable drawings made on the spot; in this case, the Farnese Hercules (back view) in red chalk, and the Farnese Hercules (back view) in black and white chalk (both in the collection of the Teylers Museum, Haarlem). A copy of the sculpture is among the ten statues adorning the front yard of the Schlossgarten in Karlsruhe, Germany. Lost your password? The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546,[3] and is now in the Museo Archeologico Nazionale in Naples. [8] At Wilhelmshhe, near Kassel, a colossal version 8.5 m high produced by Johann Jacob Anthoni, 17131717, has become a symbol for the city. In 1600, at the age of forty-two, Goltzius gave up printmaking and began to paint. This work represents, however, only a fraction of his entire oeuvre, which includes some 500 drawings and about 50 paintings, in addition to some 160 individual prints and series of prints that he and his workshop produced. As the burin is pushed at an acute angle over the copper printing plate, it slices and lifts a sliver of metal. You will receive mail with link to set new password. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. All rights reserved. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Broken headless torso of 2nd or 3rd century AD, in Museum of Saint-Raymond in Toulouse. It shows Goltzius's bulging-muscle figure style at its most extreme. Van Mander was referring to Goltzius chameleon-like ability to create original works in the styles of earlier masters. He moved to Haarlem in 1577 and established his own print publishing business there around 1578. Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. The type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at Foligno is in the Muse du Louvre. Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Colossal statue of Hercules, uncovered at the baths in Hippo Regius (Annaba), Algeria. Receive the Museums latest news and information. He used it with varying pressure to create lines that swell and taper, and which communicate form and energy. Asia and Pacific He trained a number of engravers to work in his style and a large part of their production was centered around prints after the masters designs and in his distinctive engraving style, for example, The Fall of Phaeton (1992.376;49.97.662). Forgot your password? We can manage your request more quickly if you include the following information: By downloading this image you agree that you will not use it commercially, as defined in our full. Please take a moment to fill your information to create your account. Engraving. It stood for generations in its own room at Palazzo Farnese, Rome, where the statue was surrounded by frescoed depictions of the hero's mythical feats that were created by Annibale Carracci and his studio, executed in the 1590s. Download this work and make your own creation, piece of sculpture, reproduction of a piece of sculpture, Ein privilegiertes Medium und die Bildkulturen Europas : Deutsche, Franzsische und Niederlndische Kupferstecher und Graphikverleger in Rom von 1590 bis 1630, Hendrick Goltzius (1558-1617) : tekeningen, prenten en schilderijen, Goltzius-studies : Hendrick Goltzius (1558-1617), Dawn of the Golden Age : northern Netherlandish art 1580-1620 [ : 1 1993a], Die Zeichnungen von Hendrick Goltzius : mit einem beschreibenden Katalog, http://hdl.handle.net/10934/RM0001.COLLECT.367516, signature: HGoltzius sculp. Painting was viewed by him and others at the time as the summit of achievement in the arts and much more prestigious than engraving. We are committed to addressing these issues, and to review and update our records accordingly. Ambitious throughout his career, as a publisher he intended from the beginning to produce engravings of high artistic and technical quality for an international public of connoisseurs and art lovers and to break the monopoly on print publishing that had been held since the mid-sixteenth century by print producers in Antwerp. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, 1592, on laid paper, watermark Fleur-de-Lys in Crowned Shield with pendant Letters WR (similar to Laurentius 434), a fine impression, with small margins, the lower left sheet corner outside the subject repaired and partially made up, two small repaired paper losses in the lower right margin, a few short tears and tiny nicks at the . The Farnese Hercules, ca 1592. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem). In myths about Heracles, killing the lion was his first task. 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